Saturday, April 13, 2019

Viewing Dracula as More Than a Monster


Bruno Celis
Viewing Dracula as More Than a Monster
Dracula is clearly portrayed as the upmost example of evil. His weaknesses are religious items, such as holy water and crucifixes, which serve to emphasize how unholy Dracula is. If Dracula cowers and hisses at the sight of a crucifix, that is an obvious sign this creature must be from the depths of Hell. Despite the tendency to classify Dracula as a devilish creature with no traces of human in him, it is important to note that Dracula can still be sympathized with by evaluating his human-like motivations.
When we first meet Dracula, he welcomes Jonathan Harker in a very cordial manner. This is early evidence that shows that Dracula is not a mindless creature driven by evil. He seems to genuinely care for Jonathan. For instance, Dracula heavily scolds the three female vampires after their attempt to suck Jonathan’s blood. Dracula is acting like a father figure to Jonathan by protecting him. Even further, could it be possible that Dracula is attracted to Jonathan in a homosexual way? Stoker never progresses this idea primarily because he foresaw the controversy if he did include a same-sex relationship, yet the subtle hints are there. Granted, Dracula’s ability to elicit emotions of intimacy and compassion may be superficial. In truth, Dracula main focus is to keep Jonathan alive not to form a friendship with him, but to complete the necessary paperwork for his move to London. Dracula is striving for world domination and to bring back glory to his family name. In a way, his actions represent the human quality of seeking power. Thus, Dracula symbolizes both the positive and negative human characteristics, deeming him more than just a one-dimensional figure of evil.
Furthermore, the end of the novel features Dracula fleeing for his life as he is intensely pursued by Van Helsing and his companions. Van Helsing is incredibly determined to once and for all end Dracula’s reign of terror by properly killing him. Somehow, Stoker is able to make the reader feel a little sorry for Dracula despite knowing it is probable best to kill him. How is it even possible to feel sorry for him? From Dracula’s point of view, he simply desires to return to glory for himself and the race of vampires as a whole (although his methods and consequences for humanity may not be ideal). Van Helsing’s mission to stop Dracula will save countless of lives (including innocent babies who randomly get devoured by female vampires), but for Dracula, he will die in dishonor. In this viewpoint, Van Helsing and his men deny Dracula of his happiness, which makes Dracula the victim one sympathizes with and Van Helsing the monster. However, one crucial detail that contradicts this conclusion is Dracula’s facial expression of peace moments before his death. One can argue Dracula loathed being an undead vampire, especially when the novel implies that a vampire does reach Heaven after death. Dracula’s demise means pre-vampire Dracula can now experience eternal peace. Either way, Dracula displays many human characteristics that makes him more than a brainless creature out to terrorize humanity.

1 comment:

  1. I found your posting very interesting, it's easy to read Dracula and not think of any human aspects to Dracula and yet you make many interesting points. World domination is one form of power as you have said and is indeed one goal many people seek, to simply be able to have that power and influence. I also had the same idea when you discussed how Dracula had a peaceful expression when he died, i saw it as the fact that perhaps Dracula secretly wanted to be killed so that he may finally find peace from his current state. Overall, a very interesting post and analysis of adding human aspects to an otherwise inherently evil being.

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